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I Turn To You
Not classified 239

Piano & keyboards
Piano solo 175
Piano, Vocal and Guitar 80
Piano, Voice 50
Easy Piano 30
C Instruments 23

Organ 11
1 Piano, 4 hands 6
Piano Quartet: piano, violin, viola, cello 2
2 Pianos, 4 hands 1
Big Note Piano 1
Piano Accompaniment 1

+ 6 instrumentations

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Guitars
Guitar 17
Guitar notes and tablatures 14
Melody line, (Lyrics) and Chords 10
Ukulele 7
4 Guitars (Quartet) 4

2 Guitars (duet) 4
Bass guitar 2
3 Guitars (trio) 1

+ 3 instrumentations

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Voice
Choral SATB 80
Choral 3-part 17
Choral 2-part 14
Choral SSAA 14
Choral TTBB 7

Vocal duet, Piano 6
Choral Unison 5
High voice 2
Voice solo 1
Soprano voice, Piano 1
Medium voice, Piano 1
Tenor voice 1

+ 7 instrumentations

- Retract

Woodwind
Flute and Piano 16
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 14
Clarinet 11
2 Flutes (duet) 11
Clarinet and Piano 11

Flute, Oboe, Clarinet, Bassoon 10
Oboe, Piano (duet) 10
Saxophone Quartet: 4 saxophones 9
Saxophone Quintet: 5 Saxophones 7
Alto Saxophone and Piano 6
Flute 6
Tenor Saxophone and Piano 6
2 Clarinets (duet) 5
Flute ensemble 5
Flute, Clarinet (duet) 5
Clarinet Ensemble 5
Soprano Saxophone and Piano 3

Flute and Guitar 3
2 Saxophones (duet) 3
Alto Saxophone 3
English horn, Piano 3
English Horn, Guitar (duet) 2
Recorder 2
Clarinet Quintet: 5 clarinets 2
Clarinet, Guitar (duet) 2
Baritone Saxophone, Piano 2
3 Clarinets (trio) 2
Flute Quintet : 5 flutes 2
Oboe (band part) 2
Flute, Clarinet, Piano (trio) 2
Saxophone (band part) 2
Bass Clarinet, Piano 2
Flute (band part) 1
Clarinet Quintet: Clarinet, String Quartet 1
Oboe, Guitar (duet) 1
Clarinet, Cello (duet) 1
Clarinet Quartet: 4 clarinets 1
Piccolo 1
Clarinet, Bassoon (duet) 1
Flute, Bassoon, and Piano 1
Flute Trio: 3 flutes 1
Descant (Soprano) Recorder 1
Saxophone and Guitar 1
Flute, Viola (duet) 1
Clarinet, Trombone (duet) 1
Soprano Saxophone 1

+ 41 instrumentations

- Retract

Woodbrass
Trombone and Piano 14
Brass quartet : 2 trumpets, trombone, tuba 14
Trumpet 11
Brass Quintet: 2 trumpets, horn, trombone, tuba 8
Trumpet, Piano 6

French Horn and Piano 6
Trombone 5
Euphonium, Piano (duet) 4
Tuba and Piano 4
Tuba 3
Brass Quartet: 4 trombones 3
Brass Quartet 3
English horn, Piano 3
English Horn, Guitar (duet) 2
Trombone ensemble 2
French horn 2
Trumpet ensemble 2
2 Trumpets (duet) 2
Brass Quartet: 2 trumpets, horn, trombone 1
Trombone, Tuba (duet) 1
Trumpet, Saxophone (duet) 1

+ 16 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 41
Violin and Piano 15
Violin, Cello (duet) 9
Viola, Piano 9
Harp 9

2 Violins (duet) 7
Violin 7
String Trio: violin, viola, cello 6
Cello, Piano 6
Cello 4
Cello (band part) 4
Viola 3
Violin, Guitar (duet) 2
String Trio: 2 violins, cello 2
Violin ensemble 2
Viola, Cello (duet) 2
2 Cellos (duet) 2
Harp, Voice 1
Double bass, Piano (duet) 1
Viola and Bassoon 1
Cello, Guitar (duet) 1
Double Bass 1
String Quintet: 2 violins, viola, cello, bass 1
2 Harps (duet) 1
Violin, Viola (duet) 1

+ 20 instrumentations

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Percussion & orchestra
Concert band 31
Orchestra 18
Chamber Orchestra 17
Jazz Ensemble 15
String Orchestra 13

Brass ensemble 8
Handbells 7
Jazz combo 6
Xylophone, Piano 2
Brass Quintet: other combinaisons 1
Drums 1
Marimba, Piano (duet) 1

+ 7 instrumentations

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I Turn To You

Soprano Saxophone and Piano

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3 sheet music found

I Love You Truly-Soprano saxophone/piano

I Love You Truly-Soprano saxophone/piano #Soprano Saxophone and Piano #EASY #Phil Beaman #I Love You Truly-Soprano saxop #Phil Beaman #SheetMusicPlus

Piano,Soprano Saxophone - Level 2 - SKU: A0.844634 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beam...(+)

Piano,Soprano Saxophone - Level 2 - SKU: A0.844634 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413831. Published by Phil Beaman (A0.844634). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

$5.99 ≈ 5.59€

Luther: Out of the Depths for Soprano Sax & Piano

Luther: Out of the Depths for Soprano Sax & Piano #Soprano Saxophone and Piano #BEGINNER #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score...(+)

Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ 23.29€

Bach-Gounod: Ave Maria for Soprano Sax & Piano

Bach-Gounod: Ave Maria for Soprano Sax & Piano #Soprano Saxophone and Piano #EASY #Bach-Gounod #James M #Piano - S0 #Bach-Gounod: Ave Maria for Sop #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. ...(+)

Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

$32.95 ≈ 30.75€